James Estrin of the New York Times interviews Anne Wilkes Tucker on the upcoming exhibition, "The Power of Pictures: Viewing History Through America's Library." The exhibit featuring more than 440 images from the Library of Congress’ photographic archives is on view at the Annenberg Space for Photography in Los Angeles from April 21 to September 9 and features two images by SKG aritst Jerome Liebling.
Read Sarah Buhmann's critique of the exhibition entitled, "Where We Are", featuring work by Jerome Liebling.
Jerome Liebling, whose subtly powerful pictures and the lessons he drew from them influenced a generation of socially minded photographers and documentary filmmakers, died on Wednesday in Northampton, Mass. He was 87.
Jerome Liebling, a photographer, filmmaker and teacher, died Wednesday at 87. Obituaries appear on the Web sites of The New York Times, The Daily Hampshire Gazette and Hampshire College, where his students included James Estrin, now a staff photographer at The Times and a co-editor of Lens.
SKG arist Jerome Liebling will have two images in the upcoming exhibition, "The Power of Pictures: Viewing History Through America's Library." The exhibit featuring more than 440 images from the Library of Congress’ photographic archives is on view at the Annenberg Space for Photography in Los Angeles from April 21 to September 9.
Steven Kasher Gallery is proud to exhibit at The Photography Show presented by AIPAD, the longest-running fair dedicated to photography.
Photographs by Jerome Liebling will be on display in the exhibition "The Thrill of the Chase: The Wagstaff Collection of Photographs" at the Portland Museum of Art in Portland, Maine. From 1973 to 1984, Samuel J. Wagstaff, Jr. (American, 1921-1987) assembled one of the most important private collections of photographs in the world. Wagstaff promoted photography as an art form by organizing exhibitions, delivering lectures, and publishing material on his collection.
Butterfly Boy by Jerome Liebling is on the cover of New York Magazine's annual "Yesteryear" issue, which takes a look at decades of dressing in New York.
We recently discovered a video of filmmaker Ken Burns speaking about his mentor Jerome Liebling. http://nyti.ms/1qwrPBL
Jerome Liebling's photographs are featured in Smith College's exhibition Uncanny Valley: Portraits of the Almost-Human. Including eleven works by twentieth and twenty-first century photographers, Uncanny Valley aims to capture the stark and strangely intimate world of human-facsimiles. From the coy disaffection of fashion mannequins, to the spectacle of religious shrines, to the likeness of Lady Liberty herself, the care with which these figures were photographed gives life to the not-quite-living. On view February 26 – May 8, 2016. http://smith.edu/artmuseum/On-View/Portraits-of-the-Almost-Human
Jerome Liebling is on view in University of Minnesota's exhibition Singing Our History: People and Places of the Red Lake Nation which explores the many ways the Red Lake Nation has been and continues to be portrayed by artists and members of its communities through art and photography. The exhibition is a collaboration between the Red Lake Ojibwe and the Department of American Studies at the University of Minnesota. A reception will be held on January 23 from 6-9 p.m. http://bit.ly/1RffUDq
Our exhibitions Jerome Liebling: Brooklyn and Other Boroughs and Fred W. McDarrah: The Artist's World were reviewed in numerous publications including The New York Times, NY 1 News, Time Lightbox, and The New Yorker. To view the full articles, click the link below or visit our press page.
Jerome Liebling will be featured in a film screening at AIPAD on Saturday, April 18 at 1:45 PM as a part of the 2015 public program. Harvey Wang's film From Darkroom to Daylight explores how the dramatic change from film to digital has affected photographers and their work.
Jerome Liebling's images, taken on city streets or in rural towns, defies easy categorization. His images are suffused with startling intimacy; the gaze of his subjects reflecting struggles yet to be overcome. The places, too, bear the traces of time and the scars of victory. And yet the weariness of those faces and places does little to diminish their power. Liebling’s work is a tribute to human perseverance and courage.
Jerome Liebling:Matter of Life and Death featured in the New York Times and the New Yorker
Mr. Liebling, who became known as a member of the Photo League, a group of socially minded photographers that disbanded in 1951, dug deeply into his subjects, using still photography almost like film, to explore a condition rather than an instant. “He and his subjects are looking at each other,” said Rachel Liebling, who curated an exhibition of her father’s work, which is to run at the Steven Kasher Gallery from March 13 to April 19. “They’re looking at him and he’s looking at them. He felt the regular people were the superstars. Those portraits are about that.”
“O’er the green mead the sporting virgins play, their shining veils unbound along the skies, tossed and re-tossed, the ball incessant flies."
- Homer
According to Tom O’Conner’s History of Handball, the earliest mention of the game can be found as far back as 2000 BC in Egypt. The priests of the Temple Osiris in Thebes were depicted on the tombs, striking the ball with the hand. The game meandered to Europe, before Alexander the Great spread it around the Greek Colonies and the Apennine Peninsula (Italy). Accounts of handball are found in Scotland in 1427, where King James was a known fanatic, amongst the aristocracy of 18th century London, and finally, in its most reliable depiction, was introduced to the United States by Irish immigrants in the waning years of the 19th century. The game eventually settled in Brooklyn where it made its way into the DNA of an adolescent Jerome Liebling.
